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Tips on Tables - Robert W. Dana - March 2, 1951

Copa's End Of Long Trek For Eckstine

Billy Eckstine finished the long trail up from 52nd St. swing clubs of other years when he opened last night in the Copacabana. Following a recently signed 10-year recording pact with MGM plus a movie contract eckstinewith the company, it was a personal triumph for the handsome singer that he embellished in every way that could be wished.

The voice is a robust, romantic baritone, with just a touch of huskiness on occasion to give it additional appeal. As for the delivery, much has been said and written about Billy's showmanship, the salient points of which are charm, poise and sincerity.

He has had a habit, in the past, of blending notes quite out of proportion to what they originally were intended to be. It has created excitement among listeners for its vocal uniqueness, but I am happy to note that he is modulating this trick in his current limited stand preceding an Easter engagement at the Paramount Theater.

Humor in Lyrics.

Opening with "If You Feel Like Singing, Sing," and following with an Eckstine standard, "Jealousy," which he calls the old tango that lives forever, he reveals with much humor in clever lyrics how "Gone Are the Days" when you could just croon like Vallee, that now you need an animal to whip as in Frankie Laine's "Mule Train."

"But," sings Billy, "I love a ballad, mellow and blue. I love songs I believe in while I sing to you."

And so he does-and beautifully - "I Apologize Old Man River" (actually making, you see it as he points it rolling on down) and one of the top tunes of the day, "If." This was the high point for me - greatest rendition of the song I've heard.

Novelty Number.

The concluding Eckstine number is a brilliant special-material piece that embroiders the sentiment of this melting pot nation of souls with just the right touch of humor to keep it from being maudlin. The title is cartoon"I Like It Here."

Earlier In the revue the Copacabana presented two other new acts - one the unusual dance novelty called Andre, Andree and Bonnie, In which the man presents the Illusion of working with three mannequins in a hat shop in Paris and finishes with two of them come to life and very talented. One blonde, the other brunet, they have class.

The other new act is by all odds the finest new ventriloquist to make his appearance in the clubs. Young, handsome, engaging Jimmy Nelson, working with a piece of mahogany called Danny O'Day, who calls him a "ventriqolist," he tears the house down with a voice-throwing stunt involving the dummy's singing "Best Things in Life Are COD." Later, for a switch, they take each other's place with realistic results.

Harrison and Patricia continue their sterling dancing, particularly in the production number, "First Snow of Winter." Sonny Calello has a new singing partner in the production numbers in pretty, ash-blond Hope Zee, and Michael Durso, the orchestra leader, proves again his great value in setting the rhythm at the proper pace.

THE REVIEWS
Andrews Sisters - Latin Quarter 1957
Desi Arnaz - w/Diosa Costello 1948
Count Basie - Lincoln 1943
Tony Bennett - Copacabana 1958
Milton Berle - Latin Quarter 1948
Joey Bishop - w/Andy Williams 1959
Ray Bolger - Wizard of Oz Scarecrow, Empire Room 1956
Cab Calloway - Greenwich Inn 1949
Diahann Carroll - Persian Room 1961
Betty Clooney - Waldorf Astoria 1954
Nat King Cole - Copacabana 1958
Perry Como - Versailles 1944
Copacabana - famous night club restaurant is reviewed 1953
Crosby Brothers - Latin Quarter 1961
Xavier Cugat - Waldorf Astoria 1951
Vic Damone - Riviera 1953
Billy Daniels - Copacabana 1952
Sammy Davis Jr. - Copacabana 1959
Phyllis Diller - w/Bobby Short 1958
Nancy Donovan - Copacabana 1952
Jimmy Durante - Copacabana 1951
Billy Eckstine - Copacabana 1951
Duke Ellington - Basin St. East 1961
Eddie Fisher - Empire Room 1959
Judy Garland -Town & Country 1958
Jackie Gleason - La Vie en Rose 1953
Benny Goodman - Empire Room 1956
Dolores Gray - Waldorf Astoria 1954
Buddy Hackett - Copacabana 1956
Connie Haines - Terrace Room 1951
Dick Haymes - Versailles 1956
Horace Heidt - 30th Anniversary 1954
Florence Henderson w/Bill Hayes 1958
Hildegarde - Pierre 1953
Celeste Holm - Plaza 1958
Eddy Howard - Roosevelt 1955
Burl Ives w/Wally Cox - Persian Room
Lisa Kirk - Persion Room 1958
Frankie Laine - Latin Quarter 1955
Julius La Rosa - Romanian 1958
Peggy Lee - Copacabana 1958
Jerry Lewis - Town & Country 1957
Joe E. Lewis - Copacabana 1945
Ted Lewis - Latin Quarter 1953
Liberace - Persian Room 1947
Guy Lombardo - Roosevelt 1957
Vincent Lopez - Grill Room 1954
Tony Martin - Riviera 1953
Martin and Lewis - Copacabana 1950
Ray McKinley - Glenn Miller Band 1957
Mills Brothers - Latin Quarter 1956
Vaughn Monroe - Astor 1955
Constance Moore - St. Regis 1958
Johnnie Ray - Copacabana 1953
Della Reese - Copacabana 1961
Sugar Ray Robinson - French Casino
Dorothy Shay - St. Regis 1961
Frank Sinatra - Wedgewood 1943
Danny Thomas - Copacabana 1949
Sophie Tucker - Latin Quarter 1950
Mae West - Latin Quarter 1956
Julie Wilson - Persian Room 1954
EDITORIALS
Dean Martin - thoughts on Mr. Sauve
Peter Lawford - retrospective
Rise & Fall of the big bands
INTERVIEWS
K Baggelaar- Copacabana author
Denny Farrell - big band disc jockey
Hal Turner - Performer/Conductor
B Zickafoose - played in WWII Europe
ASSORTED
Bernie Bierman bio
Sammy Kaye - Roosevelt 1957
Dinah Shore - press release and autograph from the 50's
A Letter about a WWII song
Harbers & Dale - Dance Team
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